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Q: Your photography often features complex lighting setups. What draws you to these intricate techniques?A: Beyond movies and intriguing lighting, I%u2019m inspired by photographers like Erwin Olaf, who explored diverse lighting techniques, from high-key lighting to shadow play. This ignited a puzzle-like curiosity in me and led me to explore the photo tutorial boom about a decade ago when photographers began monetizing their expertise online. Jake Hicks particularly caught my attention; I experimented with gelled lights for a long time, and it became my signature style. Eventually, I sought to break free from that niche and develop a style that felt more authentically mine. It%u2019s challenging when it seems like everything has already been done, but I believe my current %u201cmashup%u201d aesthetic reflects my unique style, not just in the final look but also in my direction with models and the overall vibe I create.Q: How do you work with natural, industrial light to achieve a raw yet artistic look in your photos?A: I%u2019m always on the lookout for available light. If none is available, I%u2019ll add my own with large, diffused modifiers that remain hidden to avoid affecting the shot. In one factory setting, I was thrilled to find skylights and utilized them as much as possible.Q: How are some of your biggest influences in photography, and how have they shaped your style?A: Alongside Erwin Olaf, Annie Leibovitz, and Helmut Newton, one of my earliest influences was Joey L. He shot bands I admired and achieved the dramatic effect I aspired to capture. Initially, I resented him for being younger and rather cocky (and a genius), but watching his progress, it%u2019s amazing to see how refined his approach has become. He%u2019s quite an inspiration.Q: Erwin Olaf, Annie Leibovitz, and Helmut Newton are major inspirations for you. What specifically do you admire about their work?A: For the first two photographers, it%u2019s their painterly approach that makes their work feel timeless to me. There%u2019s a craftsmanship in the process that draws me to perfectionist artists. Helmut Newton is the ultimate vibe maker; he creates images that make you wonder, %u201cWhat led to this moment?%u201dQ: Do you prefer shooting expansive, cinematic scenes or more intimate moments? What do you find most fulfilling about each?A: I love opportunities to shoot on a grand scale; there%u2019s a fulfillment in creating something epic. I also enjoy intimate settings. In one-on-one sessions, there%u2019s often a catharsis by the end, leaving the model feeling amazing. I find this therapeutic for both of us.Q: How do you approach capturing the essence of both large-scale visuals and detailed, intimate scenes?A: On larger sets, I work to avoid muddy shadows, which I find distracting. Sloppy lighting creates uncontrolled, harsh shadows, so I shoot tethered to a computer to monitor and address issues on the spot rather than in post-production. In intimate shoots, however, I enjoy playing with shadows, where they serve as elements of contrast rather than distractions. Q: What advice would you give to aspiring photographers who want to blend multiple influences, such as music and fashion, into their work?A: Live it. Be part of a community that resonates with the vibe you appreciate. Being a guest in various scenarios keeps you at a distance; immerse yourself instead.www.ofirabe.nlwww.instagram.com/corpofirOfir AbeMOSTMAGAZINEMOST MAGAZINE - ISSUE 64 83