Page 80 - Demo

Q: How did your transition from graphic design to photography influence your approach to visual storytelling?A: My main influence from graphic design was my tendency to be meticulous about rules and lines. While this helped me develop a sense of aesthetics, I initially relied too heavily on the comfort of guidelines. These days, I approach my work more organically, stretching the boundaries of what I can create.Q: What inspired your move from the advertising world to becoming a fulltime photographer in the Netherlands?A: In 2008, I went on a long trip with my then-girlfriend to Thailand, Japan, and Australia, which intensified my passion for photography%u2014especially in Australia. I thought I%u2019d return home as a National Geographic photographer after seeing Australia%u2019s vast landscapes. However, reality check: I%u2019m not exactly a nature traveler.Q: Your work blends both gritty and refined aesthetics%u2014how do you balance these contrasting styles?A: Much like my taste in music, which swings between metal and %u201980s pop, my photographic style depends on my mood. They often blend together; I frequently try to refine gritty aspects and add an edge to the refined. It%u2019s a %u201cKintsugi%u201d style of creation.Q: How has your background as a metal drummer shaped the way you approach photography?A: As a drummer, my main subjects and clients were other bands, which led me to work with tattooed and eventually fetish models. Before I knew it, I found myself immersed in the kink scene. Interestingly, corporate photography%u2014which has become my main income%u2014was somewhat of a fluke. Being a metal fan exposed me to gritty videos that gradually became stylish yet dark. For example, Rammstein%u2019s %u201cDeutschland%u201d is easily one of the most beautiful videos I%u2019ve seen.ExclusiveInterview80 MOST MAGAZINE - ISSUE 64