Page 19 - Demo

In another painting, the clock%u2019s edges explode, yet the numbers and form hold steadfast, suggesting that whether it%u2019s measured or not, whether all structure implodes, time continues. There%u2019s no stopping time, and there%u2019s no stopping an eventual slide into destruction.The depiction of roses in one painting, scattered in and around the protagonist%u2019s face and the clock is a nod to the duality of a rose itself. Arguably one of the most beautiful flowers, sought after and a symbol of romanticism, a rose has a darker side %u2013 one of thorns and pain. This provides yet another example of the struggle of opposing forces.Throughout the paintings, the female faces present expressions of seriousness and strength. Yet, there is also an acceptance shown of the inevitability of chaos, signifying the female%u2019s oft underscored ability to endure pain and torment and emerge relatively unscathed and wiser and stronger. Sir Daniel%u2019s latest series shows the world that he is not satisfied resting on his laurels. Rather, he is here to leave an indelible mark on society and showcase how art should permeate the senses and inspire contemplation - in this case, humanity%u2019s preoccupation with finding meaning and purpose amid life%u2019s daily struggles. Order and chaos are like all opposing forces, love and hate, peace and war, in that there are certain intrinsic qualities that are inexorably linked. Embracing both is paramount. Viewing these paintings begs the question, if one is only living within the confines of order and structure, playing it safe, is life just passing by, devoid of greatness? It could be said that rather than ride out one%u2019s days as cogs in the system, everyone should be exploring, tasting, discussing, grappling with, and embracing life in full colorful glory. Sir Daniel WinnMOST MAGAZINE - ISSUE 40 19