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www.MOSTmag.com || FASHIO N MAG A ZINE || 223find it interesting to discover the borders of the beauty that can be temporal and classic but also exuberant, strange, and ambiguous.%u201dStrangely, when Charpentier looks at a face, she has to turn it into a flat surface to begin work on it. It then becomes easier for her to highlight or shade some volume to create a threedimensional side to the work. The structure of a face helps her define a character. %u201cThe face being the catalyst, it is inspiring; a physical particularity, irregularity, or ambiguity can guide you in the creation of that character.%u201d hen asked about her time assisting well-known makeup artists on fashion shows for Dior, Valentino, or the advertising giant, L%u2019Oreal, she is reflective. %u201cWhat appears exciting during the catwalks is the collective adrenaline that turns towards the same goal.%u201d She learned a great deal from this teamwork process, directed by the most talented creators. The opposite of this teamwork approach is the painter, alone, in front of his or her work.We discussed the sense of completion after each new look and whether or not it was difficult letting go of her creation. Luckily for us, her work will live on in photographs for all to admire. Celine finds that the more interesting and complicated point is the collaboration with the photographer. %u201cThe work takes part of another creative process and the universe.%u201dHaving spent a brief amount of time in Celine%u2019s lovely and artistic universe, we look forward to exploring this vastly creative and innovative new world. You can find Celine Charpentier%u2019s work at www.celinecharpentiermakeup.com or on Facebook and Instagram.