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MOST MAGAZINE - ISSUE 68 53MOSTMAGAZINEQ: When experimenting with different styles at first, how did you find your voice as a photographer?A: It was a matter of time and continuous experimentation. I tried many things: portraits, landscapes, street photography%u2026 Little by little, I realized that what truly fulfilled me was capturing emotions and telling stories through images. That connection helped me define my style.Q: What challenges and rewards did you find while working with non-professional models and developing your lighting techniques?A: At first, it was challenging to make them feel comfortable in front of the camera, but it also helped me develop skills to direct and connect with people. The reward was seeing how, with a bit of trust and good lighting, they achieved incredible results they hadn%u2019t expected.Q: What sparked your interest in photography back in 2008, and what made you decide to take that first course?A: I%u2019ve always been fascinated by how an image can tell a story or capture emotions. In 2008, I felt a strong need to explore that magic more deeply, and taking the course was my way of taking action and learning the basics. It was like opening a door to an entirely new world.Q: How did starting without a camera influence your initial approach to learning photography?A: Not having a camera at the beginning made me focus more on learning the essentials: composition, light, and how to see the world as a potential photo. It was challenging, but it also taught me to be creative with whatever I had at hand.Q: What were some of the most memorable moments from your early days in local photography groups?A: I fondly remember the photo outings where the whole group would explore different corners of the city together. There was always a great vibe and a strong desire to learn from one another. And, of course, the discussions afterward, where we shared our photos and perspectives.MOST MAGAZINE - ISSUE 68 53